Sibelley: Fine Art as Functional Glass
Sibelle Yüksek aka Sibelley has made a name for herself in the flameworking and functional glass worlds through the creation of what she refers to as “little women.” After focusing primarily on nudes, she shifted her energies into making video game and anime characters outfitted with accessories and garments. One early complex piece took roughly 40 hours to make. This female rig outfitted with a machine gun is a glass representation of Motoko from Ghost In The Shell.
Considering the sculptural nature of her art, it’s not surprising that Sibelley majored in illustration at Virginia Commonwealth University, Richmond, Virginia, with the goal of working in fashion. But she fell in love with glass in an elective casting course and decided to double major in glass studies – an artform that would come in handy for sculptural installations and jewelry making.
Moving to Los Angeles, California, in 2014, Sibelley set up a torch in an ill-advised bedroom studio, where she made jewelry until landing a gig at Neptune Glassworks. There, she learned how to make vessels and glassware while experimenting with smokables on the side. The artist credits 2 Stroke with her move into functional glass. While assisting him at his AGE show, he pointed out the many benefits of transitioning into the pipe scene.
In 2018, it all came together for Sibelley after taking a master class with OG flameworker, Robert Mickelsen, who taught her how to refine her sculpting with holloware. “I spent so many years studying the figure in illustration, doing live drawings, looking at comic books, drawing and drawing and drawing. So, the body has always been with me. But when I took his class, everything fell into place. I know how to work with glass and I know bodies, so he was the glue that put it together for me.”
Most of Sibelley’s work is marketed through her Instagram, where she has built a growing following. The artist is still trying to figure out where her pieces fit in to the pipe scene and the art world – should they be found in head shops and smoke shops, or interior design settings? Should they be functional or sculptural? Carly Fisher, Leafly.com, wrote: “There’s something daring and uniquely fitting about a woman facing the flames, not adhering to preconceived notions about how a pipe should look or devaluing its legitimacy as art because it can be used for cannabis. If anything, it’s another example of the limitless ways people are reexamining and elevating cannabis culture to a broader market.”
Combining influences from her teen obsessions with Japanese comic books and gaming, experiences with yoga and bodywork, and her education in fashion illustration, Sibelley’s delicate, naturalistic interpretations of female bodies that double as a pipe put her on the map. She recently held her first solo show at Glass2Grass in Miami on September 4, and she will participate in the upcoming exhibition, Mins Volume 4 on October 14 in Minneapolis, Minnesota. The show will feature works from over 200 artists including Sibelley. VIP tickets are available via the link in @minspipeshow Instagram bio. General admission is free. Sibelley will demo at GAS Detroit in June and teach at the Corning Museum of Glass from July 9-16, 2023.
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