Margaret Heenan: Circling the Square
Having grown up in the 1960s and ‘70s, Australian kilnforming artist Margaret Heenan was influenced by the highly stylized graphic designs and patterns of early childhood found on wallpapers, homewares and textiles. From her Perth studio, the artist consistently produces impeccably designed fused glass plates, bowls, wall pieces and sculpture using vibrantly nostalgic colors and patterns. Linear and highly structured and restrained, the final pieces begin as detailed drawings and paintings referenced for cutting the glass, which must be accurate to achieve a seamless fit. An artist with dual aesthetic sensibilities, Heenan is also known for her more painterly kilnformed glass, strongly influenced by the Australian landscape.
Heenan’s love of calligraphy and fine lettering led to her discovery and love of glass art. Earning a diploma in these subjects required the completion of a special study, which she carried out with a neighbor who was a stained glass artist. Lettering a couple of large liturgical windows sparked Heenan’s passion for glass and resulted in her appreciation for heraldry – how to interpret blazons (armorial bearings) and how to draw and paint coats of arms. She remains a Life Member of the Calligraphers’ Guild.
Earning a Bachelor of Fine Arts from the University of Western Australia, 2004, Heenan went on to study glass with well-known artist-instructors such as Richard Parrish, Lee Howes, Judi Elliot, Jeremy Lepisto, Mel George, and Ian Dixon. She worked with David Hay and Holly Grace at Edith Cowan University during the final term of her BFA as part of a cross-institutional enrollment to access hot glass at Hyaline Glass Studio.
With work in private collections in England, South Africa, Australia, America and China, Heenan is represented by Gallows Gallery, Mosman Park, Perth; Jah Roc Gallery, Margaret River, Western Australia; Aspects of Kings Park, West Perth; and Gallery Aura, Kojanup, Western Australia. The artist’s work was featured in the book, Best of World Wide Glass Artists, Vol 1, and three Heenan pieces were chosen by Spectrum Glass catalogue to promote System 96 Glass in the US.
After a career of perfecting both technique and design, Heenan’s goal of having her work recognized by its unique and stylized treatment of color, pattern and form has come to pass.
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