Images courtesy of the artist and Arthur Roger Gallery.
Gene Koss: From Farm to Flame
September 20 through February 9, 2025, at The Bergstrom Mahler Museum of Glass
Gene Koss uses glass as a medium of pure sculptural expression resulting in monumental sculptures of cast glass, steel and light. He developed innovative techniques to transform his memories of the mechanized Wisconsin farm of his youth into foundry-based glass sculptures. He combines glass and steel found objects to create small-scale sculptures that often also serve as studies for his larger-scale works.
Opening on September 20, 2024 and running through February 9, 2025, The Bergstrom Mahler Museum of Glass (BMM), Neenah, Wisconsin, presents a major solo exhibition of Koss’ work: From Farm to Flame. Says Casey Eichhorn, Curator of Collections and Exhibitions at BMM: “Gene Koss’ career in glass has been one informed by experience, and driven by creative experimentation. Alongside two of his sketchbooks, Farm to Flame showcases the tangible results of these experiments in the form of 14 sculptures of glass, steel and wood – each highlighting a specific point in time in the artist’s illustrious career.”
After receiving a Bachelor of Science degree from the University of Wisconsin at River Falls in 1974, Koss then earned a Master of Fine Arts from the Tyler School of Art, Temple University, in Philadelphia. In 1976, he moved to New Orleans to develop a new glass facility and program for Tulane University, and subsequently became head of the department.
“Gene’s career at Tulane University helped shape the Newcomb Art Department, and he is a pivotal figure in the teaching and creation of glass art in the South,” said Stephanie Porras, chair of the Newcomb Art Department.
Koss is the recipient of several awards including the National Endowment for the Arts, The New Orleans Community Arts Board and Pace-Willson Art Foundation grants. His work has been exhibited at the New Orleans Museum of Art; the Contemporary Arts Center of New Orleans; the Masur Museum of Art in Monroe, Louisiana; the Sculpture Center in New York City; as well as the International Biennale for Contemporary Art in Florence, Italy. It has been published in International Glass Art, Contemporary Glass-Color, Light & Form and Glass Art from Urban Glass publications. Koss is represented by Arthur Roger Gallery in New Orleans, LA. His work is in many prominent collections including the Pan American Life Collection in New Orleans and the Corning Museum of Glass in New York. The Arnoldsche Art Publishers of Germany released a 2019 retrospective monograph of his work, Gene Koss Sculpture.
Creating Koss’ majestic works in glass and steel requires demanding techniques to realize their monumental scale. These massive volumes of glass are married with elaborately engineered steel elements. The artist casts molten glass directly from the hot furnace, working with teams of highly-skilled assistants and rigging elaborate systems for transporting his finished abstract works for display in museums, galleries and public spaces. Working with serial cast glass parts to enlarge scale and combining these elements with iron and neon, he has raised glass sculpture to the realm of public art. Koss’ work has had a profound impact on American artists working in both steel and glass media.
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