HaeuserHeil Studio: Munich Style Meets David Fode’s Contemporary Aesthetic
Like something out of a dark fairytale, David Fode’s personal work in stained glass entices the viewer with its frighteningly beautiful aesthetic. His alluring autonomous panels painted in the Munich style provide a canvas for Fode’s highly detailed and elaborate renderings, resulting in an irresistible synthesis of the exquisite and the macabre.
Since 2004, Fode has been designing and fabricating independent works in glass from his Waukesha, Wisconsin, studio HaeuserHeil as a means of promoting the Munich style for applications in private and smaller public venues. Though Fode’s subjects are not ancient, his medium is, making for an interesting and endlessly appealing dichotomy. His contemporary content helps to legitimize the stained glass craft through its appeal to today’s art viewing and art buying audience.
Formally trained in illustration at the American Academy of Art in Chicago, Illinois, Fode has worked in stained glass studios for nearly 20 years, replicating the Munich style for new and preservation projects across the United States. As senior artist at Gaytee-Palmer Stained Glass in Minneapolis, Minnesota, last year Fode designed 14 4′ by 4′ windows for Trinity High School in Bismarck, North Dakota. With natural light on only one side, the remaining windows were artificially lit to mimic natural light. LED panels set on dimmer switches and timers controlled the light replicating daylight as closely as possible.
Whether creating autonomous panels, restoring historical glass, or designing new projects at Gaytee-Palmer, Fode’s artistic endeavors serve his goal of keeping the art of stained glass alive.